• How To Build Creative Confidence In Your Writing

    I’ll let you in on a secret: writing is less about professional training and more about creative confidence. Anyone can string together a few decent sentences. The difference is that those with creative confidence will share their decent sentences with anyone and everyone, while other writers hide their work away from the world—proclaiming it isn’t good enough for public consumption. Don’t get me wrong, there is a difference between putting work out that hasn’t been revised, edited and proofread, and putting out work that you deem lesser than someone else’s work. Each time you negatively compare your work to another,…

  • Set the Scene for Writing Success

    Most writers have a routine they like to follow, and bless your heart if you suggest changing it. Maybe you like to curl up on the couch with a notepad and pencil, or perhaps you have worn your imprint into the best seat at a coffee shop (you know the one: right next to an outlet, a table, and a window). Every now and then, though, it does the writer’s soul good to evaluate if your writing process is really working you, and find some easy solutions to shake it up a bit. 1.) What writing phase are you completing? It is no…

  • How to Add Subplots to Your Novel and Why You Need Them

    While your main plot is solely focused on your protagonist and his or her outcome, subplots serve as side stories to the main plot and tend to focus on secondary characters. Subplots should not overpower the main plot, but instead, strengthen the story and more develop the theme of your novel. The How While short stories or children’s books under 8,000 words rely on a basic, linear plot structure (one plotline), any story over that 8,000-word mark should have one or more subplots (depending on the story’s length) woven into it. Treat each subplot as a mini-story, meaning they need…

  • Showing Characters’ Moods and Emotions

    Whether you’ve been writing for decades or are just embarking on your first writing journey, you’ve likely heard the phrase “show, don’t tell” ad nauseum. It’s one writing rule that applies to every genre because it makes or breaks the reading experience for your end-user—the reader. When we take it upon ourselves to tell readers what happens instead of presenting them with scenes to imagine in their minds, we inevitably strip our writing of the one thing our readers are looking for—an experience. In order for a book to provide a great experience, writers must build tension from the first…