• Self-Editing: What To Leave On the Cutting Room Floor

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    Often when I am thumbing through submissions at Xulon, reading a manuscript for our critique service, or simply editing a whole manuscript, I quickly pick up on a lot of material that is—in a word—unnecessary. If you’ve ever gotten our Editorial Critique, Manuscript Review, or had your book edited by me, you’ve more than likely received a comment or two instructing you what to leave on the “cutting room floor.” Think of your book as a movie on a reel. From the title page to the index, from the climax to the back cover, each part of your book is in a filmstrip. When attached together,…

  • Passive Voice: It’s So Passé

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      Passive voice has a time and place in writing, as it serves to be a stylistic additive in many books and papers. In some cases, people prefer passive voice in creative pieces, such as poetry and prose; however, writing in passive voice too often in your fiction and non-fiction pieces can cloud your writing. The “passive voice” can best be described as writing that quietly emphasizes the subject in the sentence, rather than the verb. It also indirectly guides the reader to a course of action or situation without a direct voice, which can leave readers scratching their heads. It…

  • Introducing Xulon’s New Editorial Critique Service

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    In 2014, the most helpful feedback that the editorial department received from our authors was that they wished they could have received more in-depth feedback on their manuscripts prior to going into editing and production. The manuscript review was of course helpful, but it wasn’t the thorough read-through and analyzation of a book’s content, structure, characterization, and so forth, like many authors may desire to receive. While some authors are fine with a short overview and review of their book, there are some that truly want to improve their book, have their strengths identified in detail as well as their areas of improvement with…